When psychologist Michael visits the island home of his mentor Lionel, he meets Lionel’s daughter, Liv, who is a kind of conscientious objector of verbalism; she hasn’t spoken in years, though there appears to be nothing wrong with her. After Lionel succumbs to cancer, Liv finally begins speaking again, but in a surprising, archaic tongue. As he struggles to save Liv, Michael learns that it is she who may save him. This drama from Catherine Eaton (who also plays Liv) shows the Bard’s continued relevance to a modern audience.
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